Showing posts with label Philadelphia Art Scene. Show all posts
Showing posts with label Philadelphia Art Scene. Show all posts

Friday, November 12, 2010

Philly Photo Day exhibition


Nancy Bea Miller, Sarah Barr, Lisa Minitz at the

Philly Photo Day Exhibition
November 11 - 21, 2010
Philadelphia Photo Art Center
Grey Area, Crane Arts Building
1400 N. American Street
Philadelphia, PA 19122
215.232.5678
267.324.3268 (fax)
info@philaphotoarts.org

I do a lot of photography in addition to painting. I don't consider myself a professional, even though I have had several photographs bought for book-covers, magazines and websites, and I am fairly regularly commissioned to take product shots, art shots and head shots. But I still think of it more as a hobby. I don't really know what I am doing. Photography simply satisfies my unflagging impulse for observation and appreciation of life and self-expression, and in a quick-n-easy way too! I can't be painting 24/7 but I do have a camera to hand at all moments. You never know when something will reach out and grab your heart. When that happens I reach out and grab my camera. As Baudelaire put it:
To glorify the cult of images (my great, my only, my earliest passion)


This is the first time I've exhibited my photography in a gallery setting. On October 28, Philly Photo Day, photographers took their best shot within the Philadelphia city limits and sent it in to the Philadelphia Photo Art Center. The work was catalogued, compiled and printed out on huge banners and hung.


"Leaf Blow on Clearfield Street". On Philly Photo Day I happened to be driving through the East Falls section of the city when a sudden gust of wind whipped the leaves into a hail of gold. I checked behind me, saw there was nobody coming up and quickly shot the scene. Talk about driving while distracted (just kidding, I of course, stopped the car while shooting.) Steering wheels make good tripods! Rotopods? :-) Prints can be ordered through the PPAC: $10 for a 5 x 7, $20 for an 8.5 x 11. If you're interested in purchasing a copy of "Leaf Blow" contact the PPAC and tell them you want image number 168.

Philly Photo Day Exhibition

November 11 - 21
Philadelphia Photo Art Center
Grey Area, Crane Arts Building
1400 N. American Street
Philadelphia, PA 19122
215.232.5678
267.324.3268 (fax)
info@philaphotoarts.org


It is truly an amazingly interesting show, giving a wildly varied portrait of a day. It should interest Philadelphia historians and sociologists as well as artists and anyone who just loves Philadelphia!

Saturday, October 23, 2010

RACING CLOUDS



UNDECIDED SKY

is the title of this recent painting. I am the founding director of Plein Air for Camphill, a non-traditional plein air event that benefits a program for teens and young adults with special needs in the Phoenixville, PA area. There is one big day of art-making in August when the bulk of the fifty-odd invited artists come to one location and paint/draw/sculpt/carve/video (and visit and feast.) However, organizing artists is not really like herding cats, it is like herding FERAL cats! So I usually arrange a "pre-make-up" day for people who know in advance they can't make the big day and also a make-up day after the event. This painting was done at the pre-make-up day in June. It was squally weather, with streaming sun and gusty showers, clouds threatening or benevolent constantly racing across the sky! We went ahead and held the event despite the iffy weather.

I was too busy organizing to paint while people arrived and did their thing and had a communal lunch. After lunch the skies really went dark and all the other artists left. I stayed to talk to the school administrator, when suddenly the skies cleared. I'd already set up my painting gear and so I broke off the conversation abruptly and raced to my easel. I painted like mad for less than an hour. When rain started bouncing off the oil paint I knew my "window" had closed and I packed up and left. At the time I felt the piece was unfinished, and that maybe I'd do some touch-up back in the studio. But when I looked at it, a day or two later, it felt complete. I did nothing more than varnish it a few months later and put it in a frame. I was thrilled when it sold at the event reception, and to some well-known collectors too!
Sometimes it's good to be undecided.

Undecided Sky, 11 x 17 inches, oil on gessoed wood, 2010